Mohana Krishna, a premiere dance production by an Atlanta based dance school - Natyanjali Academy of Dance, in Johns Creek, GA performed at Ferst Center for the Arts on August 28, 2010, was a visual treat.
The event was a fundraiser for the Atlanta Chapter of Asha for Education, under the leadership of Senthil Ramamurthy, in support of basic education of underprivileged children in India.
Chandrika Chandran is the producer/director of the dance show. The inspiring inaugural speech by Georgia State Representative Mike Glanton, set the tone for the evening. Right from the invocatory items, the dancers set precedence to what was to come and it was sheer beauty and expert coordination in executing the fast tempo and the diverse movements.
The portrayal of the mischievous little Krishna by Smriti Suresh, a charming adolescent Krishna by Nisha Chandran, the enchanting Goddess Lakshmi by Pallavi Sastry, the evil serpent Kaliya by Malvika Raj and the confused Arjuna by Nandita Rajshekhar were picture perfect and reminded one of the characters in Prince Ravi Varma’s paintings.
Chandran set the bar high with her superb portrayals in various key roles such as the divine mother Yasodha, Krishna’s lover Radha and the saint-poetess Andal.
The supporting dancers not only exhibited great command over the technique of Bharatanatyam also filled in appropriately in a variety of other roles.
The soulful abhinaya and the perfectly executed nritta demonstrated by the performers reminded the audience of the illustrious guru parampara of Ms. Chandran, passed on to her by Sri Vazhuvoor Ramiah Pillai and Swamimalai K.Rajarathinam.
Words were merely inadequate in appreciating the choreography skills of Revathi Ramachandran of Kala Sadhanalaya, Chennai, India. The audience felt her presence, 12,000 miles away here in the USA, by the sheer quality of her music, her finesse in wielding the cymbals and her crisp jathi utterances.
“Choreography has the challenging task of interpreting ritualistic text written thousands of years ago, capturing its essence and then presenting it in a format suited for today’s audience,” said Chandrika Chandran.
The innumerable hours spent on stage design and the expertise in lighting by Dr. Raktim Sen and able backstage coordination by Kanaka Sathasivan and others were amply evident in the smooth transitions between scenes, timely costume changes and the whole ambience on stage. Master of Ceremonies, Kumar Kantheti, wonderfully narrated the scenes. The grand finale of Lord Vishnu and Goddess Lakshmi on the custom designed serpent bed with the devotees standing around, literally transported one on a magic carpet back to Srirangam, India.
Dr. Seshu Sarma, an ardent supporter of Indian arts and culture who was recently recognized as one of the 25 most influential Asian Americans in Georgia, aptly summed up the collective mood and experience of the audience in her speech as “spellbound and speechless”.
The reverberating applause during the show was a true testament to witnessing a good performance. It was hard to believe that such an impact is even possible to achieve by a group of 14 locally groomed amateur artistes, ranging in age from only 10 years to 22 years.
Mohana Krishna was an enriching experience and a befitting tribute to mark the birth of Krishna, celebrated as Janmashtami around the world.
“The production was a lot of work,” said dancer Pallavi Sastry, a student at University of North Carolina, Chapel Hill. “But it is all worth it when you get a standing ovation and it makes you realize how proud you are of being able to share a piece of your culture with the community.”
