The Hindu, Chennai - 1999
"Smt. Rajeswari performs the traditional Bharathanatyam with nrittya exuberance. The rhythmic element in Rajeswari's case has received a further thrust with training under Guru Kaaraikkudi Man"i.
- Leela Venkatraman,

The Hindu, Chennai - 2000
"Smt. Rajeswari of Hyderabad has a fine rhythmic sense which could be witnessed in her execution of different nrittya aspects with their inticacies attempted with accuracy and precision. The execution of one of these segments revealed Smt. Rajeswari's hard work and clear understanding of the nuances".
- Nadhini Ramani

The Statesman, New Delhi
"It can be said of Smt. Rajeswari that she is among the best dancers in the idiom as she has been trained in the strict Pandanallur tradition style devoid of any jerky angularities.

The adavus were chiseled to perfection, and as to footwork she hardly needed a mridangist as the dancing feet could execute any rhythmic cycle with ease, grace, and poise."
- Subbudu,

Indian Embassy, Brazilia - 1992
"Supreme Energy, Dynamic Grace in Smt. Rajeswari's Bharathanatyam recital - a dancer with a sense of choreography, who has impressed everyone who attended her performance".

Indian Express, Chennai - 1999
"Smt. Rajeswari's Exquisite Bharathanatyam recital at Krishna Gana Sabha was a dedication of dance. Laya maestro Guru Kaaraikkudi Mani composed jathis of such intricacy that it could baffle veterans. Smt. Rajeswari's tisra gati footwork was a marvel of accuracy, all these call for laya pidippu".

Express Week. Chennai - 2000
The jathis evolved by Guru Kaaraikkudi Mani were cut above the normal, demanding perfect nrittya. When Smt. Rajeswari executed those complex jathis unerringly, roars of applause attested to her charisma".

Dina Malar, Chennai-2000
"Smt. Rajeswari danced with ease, grace, speed, the fire like jathis composed by Laya Simham (Laya - Rhythm, Simham - Lion) Guru Kaaraikkudi Mani which is rare to see in the present days".

The Hindu, Chennai - July 2001
"Guru Kaaraikkudi Mani set the different theermanams which was actually an exhibition o~ fireworks, and Smt. Rajeswari takes the credit for executing the
demanding jathis, no mean task. The five jathis in the rhythmical patterns were explored beautifully, opening up with apt sollus and proceedings to establish t~e striking feature of each classification that came out with force and b'rilliance. Srnt Rajeswari showed fine composure over grip over these segments".